24
Jan
12

10, Grosvenor House

To begin with I don’t miss my country, but I miss my family and my friends. Cheltenham, where I’m going to be at for a good 11 months, is a town in Gloucestershire county. In comparison to the Indian cities I’ve stayed in the place ain’t big so I assume I would not get lost at any point, even if I were drunk. But nevertheless it is too well organized, amazingly planned and most importantly it is beautiful. Eventually everything would be up here on the zine. Amidst all the cultural differences and not-too-crowded bylanes the weather here is irresistibly cold. But then one gets used to everything in life, right? If we are disappointed with someone, and we are able to dust ourselves and move on, which is tough, then a change in weather, environment, surrounding and the like are definitely not ‘issues’. Life should be anything but artificial and a slap once in a while, in any shape or form, is necessary to become aware of what is happening around you.

Al right, so in a week’s time here I’ve already experienced a temperature of zero degrees and have started cooking my own food. 10, Grosvenor House. That’s where I’m having a time of my life, and its contrary to what the name might suggest to you. Let me take you through the residence. Cheltenham is known for horse racing and there is an annual festival that happens here some time during the month of March where in this city witnesses a huge influx of tourists. ‘Sources’ told me this same house is rented out for around 800 pounds a night during the fest. Sweet.

Even though you have already seen the interiors I’d still want you to knock the door before coming in. You never know what I’m indulging myself in!

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15
Jan
12

Off to United Kingdom

Today, I leave for the country whose contribution to heavy metal has been immensely remarkable. Iron Maiden, Judas Priest, Black Sabbath, Motörhead, Ozzy, Rainbow, Angel Witch, Jesu, Napalm Death, Anaal Nathrakh, 40 Watt Sun and Orange Goblin to name a few. And, the line-up for this year’s Sonisphere, Download Festival and Bloodstock Open Air is going to burn multiple holes in my pocket. Let me see what life has in store on this one. See you all in December!

06
Jan
12

album review : Resolution (2012) – Lamb of God

album : Resolution

artist : Lamb of God

genre : Groove Metal/Metalcore

year : 2012

The sixth full length

With the experience of having toured with all bands that are part of the big four behind them, I wasn’t expecting these angry American sons to sit down and rest on their past merits. Richmond, Virginia is the place that’s famous because these five individuals hail from there, who at one time might not have thought that they’d be legends at a relatively younger phase in their lives. On their way to becoming the most revered metal act from the groove metal / hardcore genre, Lamb of God are one of the most holistic bands out there kicking ass since day one. To that I’d love to add that, out of their discography, they have scored a five out of five till now. Now we are onto the sixth which is titled Resolution which is going to embrace our ears.

The songs

Yea, I know. You were expecting some sort of ‘change’ or ‘innovation’ in their sound, a kind of a growth and they ended up doing what they have already done. Smack yourself for that stupid expectation. In the history of metal there have been only a few bands that have been forever respected till of course, today. So why don’t you just take some good shit coming your way. The songs on Resolution are certainly not in the forward direction but they aren’t a step backward either. It’s an active battle that can be placed alongside the rest the records recorded by the impatient fivesome.

There is a showcase of advancement on tracks like Desolation, The Undertow, Invictus,  Terminally Unique, Cheated and Visitation wherein melody and groove are brought together in classic LoG style. It is raining solos on Ghost Walking, The Undertow, Insurrection and King Me. Randy has demonstrated vocal variations from north to south and from east to west, here and even before this, while Chris has added more polyrhythms to his already complex resume. So, let me not comment on them. The remaining tracks need not be talked about as they had to be a part of Resolution.

The album

At fourteen songs, Resolution happens to be Lamb of God‘s longest yet. Thereby, they erase one more of my doubt which had be asking whether they’d be able to pull it off. They have, and the walls in your room will begin to respect you since you can slap them anytime by playing Resolution. This way you get respect for once just because Lamb of God write mad songs. Wonderful.

The production

Talk about the album’s production and it would be the first thing that might irritate your nerves in the head. You might even want to wait for the release date to see if it’s actually sounding like this. But, if you’ve heard the five earlier releases by them then you’ll find similarities between Resolution, New American Gospel, As the Palaces Burn and Wrath. Resolution is a bag wherein the sound and production efforts from all of the mentioned four albums have been borrowed and throw in. I am reminded of Black Label more than once and I kid you not. You get the opportunity to hangout with that characteristic jarring sound one more time.

The verdict

I do not expect the genre haters to understand the revolution that is Lamb of God, and well its not their fault. They are just too dastardly up (and down) there to figure out what’s happening on a LoG record. I pity them. Time to announce the verdict after having heard Resolution more than half a dozen times over a period of several days. Like any other LoG album, even Resolution does not contain stuff that is going to help you get over your break-up in the very first go. It grows, and grows enough for you to add it to your playlist, your collection, or whatever you wanna add it to. Hear it at least three times, is my suggestion, because the moment you are done playing the album once, you will have an urge to disrespect it like what happened when you heard Sacrament or Wrath. Do not forget how the song Redneck, that you thought is insipid, turned out to be a goldmine of groove once it was blasted over and over again. Give Resolution time and space, and you’ll find yourself looking at and hearing an album that could not have been better.

Rating : 3.5/5

Other Lamb of God related articles on this blog -

album review : Ashes of the Wake (2004)

Review of Lamb of God’s 2006 album Sacrament

Wrath (2009) – a review

Lamb of God live in India – requiem for a dream

gig review : Summer Storm Festival 2010 featuring Lamb of God

05
Jan
12

R.I.P. Amit Saigal

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02
Jan
12

Absurd History in 2011 – an annual report

Here’s an annual report for this zine, prepared by none other than WordPress. I had to share it with all the readers because the count in this report includes you. Thank you all for visiting!

 

Here’s an excerpt:

The concert hall at the Syndey Opera House holds 2,700 people. This blog was viewed about 60,000 times in 2011. If it were a concert at Sydney Opera House, it would take about 22 sold-out performances for that many people to see it.

Click here to see the complete report.

01
Jan
12

More than yesterday, less than tomorrow

Sitting here and doing a retropspective diagnosis of my life is not me anymore. Twenty eleven ruled for only one reason and that is this blog crossed a lakh hits, went dot-com and my mailbox began overflowing with demos, albums and teasers of bands across the globe. My only grouch is I could not write about every one of those bands that wanted to build a bond with this webzine. But I want to say one thing to each of those bands - I’m hearing, and it’s just that my job and my passion aren’t the best of pals.

Twenty Twelve looks plump as professionally its going to be different from the last three years. Implying I’d be leaving the country for a good one year. New place, new work and I couldn’t have been happier. That directly connotes that there is lots more to follow, right here on Absurd History. Stay tuned.

And, the slideshow below shows some multifarious moments I managed to capture when the three of us ushered the new years together – Me, Peter and Scot. Happy new year. To you and your foes.

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25
Dec
11

Pune airport – one of the worst in India

With just one terminal for every kind of departure, passengers going to Pune’s Lohegaon airport are forced to reach there earlier than is required, and have to more their asses faster in the queue. But does the security realize, that accordingly, they need to be quicker too? No.

Once you enter the airport you will find yourself looking at one of the most unexciting and lifeless airports I have come across in India. I will exaggerate only when I feel the need. Think twice before stretching your body as you might end up hitting the people next to you. Space crunch also puts a brake on the swift check in and security check process.

Don’t consider eating inside the airport because they sell shit and it is all overpriced. And there are no options either, just this one snacks center from where I bought a Chicken Kathi roll for fucking 180 bucks and had loose motions the very same evening.

Food is overpriced for the poor quality that is offered at Pune airport's only snacks center.

Once past the final security inspection, you expect the facilities to improve and the interiors to become more lavish but here there is no difference. Two snacks counters, one men’s clothing store and one book store. That is all. Forget the washrooms, they look like the least cared sections of the airport when it should be the opposite. So, hold your pee for a little longer, at least till you board your airliner.

Then I stumbled upon something useful and appealing. An imported chocolate and liquor store. It was locked and the board outside read “Only for international passengers“. This imbecility needs no explanation.

My flight was scheduled to leave at 11:10 a.m. sharp. There was no announcement about any kinda delay. It’s 11:05 a.m. and all the travelers still see no sign of any activity that would lead us to the aircraft. It’s like we are not at the airport at all, we are just sitting in a park, smoking up and just hallucinating about killing time at Lohegaon Airport. The time read 11:15 a.m., everybody formed a queue and we escorted ourselves outside.

Now comes the worst part. Boarding the aircraft. The passenger is on his own and s/he has to find their respective flights from a few of them that are parked in a single row, like a fucking bus stand. Go to the first one and you are asked to continue walking, then the next, then again the next, and so on and so forth. Somehow you enter the plane, and before you find your seat you need to lock yourself up in the loo to release .

Conclusion – The city of Pune requires a new airport or at least some serious renovation, like the city itself where the roads are dug up and left just like that, where road construction never ends, where flyovers are unplanned, and all of this causes the commoners to suffer excessively.

Note – Mine was a Delhi-bound flight via Indore, and from it’s outer appearance the Indore airport looked like a railway station. I wonder whether the Indore airport is even more pathetic.

After all, not all small packages contain good things.

16
Dec
11

gig review : IIT Bombay presents Mood Indigo Livewire 2011 featuring Karnivool

karnivool, livewire 2011

Before any other organizer starts planning about getting down a headlining act, that we look up to, these IIT-ians at Bombay are done dealing with the leading bands and have packed them off already. Their choices cannot be doubted, because they have by far had bands that are the torchbearers of their respective genres. Ensiferum in 2008, Porcupine Tree in 2009, Katatonia in 2010 and Karnivool in 2011. Who would have thought?

Everytime December seems close I keep my ears open for the organizers of Livewire to announce an act that nobody would have thought they’d get in touch with. These young brains are given the freedom to make decisions using which they do some mind-reading and put up a show that becomes more than just memorable. My association with Livewire dates back to 2005 and onwards. With each passing year nothing changes, audiences enter the institute via the main gate, go straight and take the biggest right turn the campus has to offer and there you are at the Student Activity Centre (SAC). The line to enter the venue never ends. Nothing changes except for the scale at which the event is conducted.

So, being the media partner for Livewire it was a breeze to enter the venue and for the first time in about six years I saw the event starting from band number one!

karnivool, livewire 2011

Lineup for the evening included -

1. Hoodwink’s Circle (1st runner’s up)
2. Turnkey (2nd runner’s up)
3. Verses (winners)
4. Junkyard Groove (opening band)
5. Karnivool

Although the three finalists were fighting it out for the same title, not every band got the same amount of time to showcase their prowess on stage. That said, the bands had the attitude, they did what they could. While I would have chosen Hoodwink’s Circle for representing India at the Global Finals, the judges chose Verses. I, however, do not agree with the result nor did one of the on-looker who had this to say, “They were playing forever, it’s like they were headlining the show“. Only I am allowed to be non-anonymous on this zine.

Welcoming Karnivool were Chennai-localites Junkyard Groove who opened the doors to funky rock ‘n roll draping the entire venue with their brand of melody. Although vocalist Ameeth Thomas failed at trying to make the crowd laugh (by cracking lame jokes), his voice more than made up for everything. So, JYG (short for Junkyard Groove) should just stick to entertaining the crowd, through music. There is a new album in the making, according to Ameeth and the crowd got to hear a lot of fresh material here. This was the first time I saw JYG live, and I must say they were so much more better than a certain Thermal And A Quarter (they played Livewire in 2007). I was caught snoring during TAAQ‘s set. Before I forget, good individual talent in JYG.

8:15 p.m. Lights, camera, action, sex! Karnivool, progressive rock musicians from Australia, showed everyone why they should be remembered more often than the stupid kangaroos from their continent. Kicking-off the concert with Goliath, the band surpassed every expectation, bringing together universes of sound. It was not just about the music, but the collective effort of the five personalities who made sure everything around seems surreal for the next one and a half hours. Ian Kenny, the frontman, speaks less and emits more. Like he said, “Music is a universal language. It doesn’t matter who you are, where you are from, music brings us all together“.

karnivool, livewire 2011

Everytime an international artist debuts in India they are surprised. It’s like they never hoped to see such reactions. Same happened with Karnivool. With hands on their mouths, the band was taken aback by the kind of love that was being showered upon them. Even I was surprised how some posers had mastered the art of displaying their undying support for the band although they’ve heard just one song by the band. Just one.

Karnivool was short of words and hence they continued performing rather than wasting any time. Their presence itself made all the difference.

Even the light arrangements were superbly done adding to the psychedelic property of Karnivool‘s songs. Before you even ask let me tell you that on-stage they are even more telling than the records. Their musical marathon continued non-stop till about 9:30 p.m. and then there was an encore.

karnivool, livewire 2011

This was their set-list for the night -

Goliath
Simple Boy
Set Fire to the Hive
Cote
Umbra
All I know
Deadman
Fear of the Sky
Themata
Roquefort

New Day
Change

This concert was 2011′s biggest highlight for me. Yes, including NH7 Weekender and Metallica concert. There are reasons, and then there are reasons.

The Open Air Theatre (OAT) at IIT Powai is fast becoming a venue that would be counted on the first five fingers every time major ‘concerts’ are spoken about. Countless memories of so many artists and attendees are attached to this place. It only gets bigger and better each time, and more than anything else the organizers at IIT are making so many dreams come true. And, in case you already don’t know, making that happen is not the least bit easy.

Ian Kenny doing a Dharmendra!

[ All pictures - courtesy of Bobin James and Diane Vaz. Click on the names to join their official facebook page and check out their work. ]

And some more :

gig review : IIT Bombay presents Mood Indigo Livewire 2010 featuring Katatonia

Karnivool’s gig announcement and my first thoughts

The debut album that took Karnivool where they are today

Why you should read the Satanic Bible

Pope says child pornography is normal

All the album / Ep / Demo / Teaser Reviews

Other cool stuff on this zine

06
Dec
11

album review : Of Love and Death (2011) – Crom

album : Of Love and Death

artist : Crom

genre : Viking/Power Metal

year : 2011

I only have praises for this one man German band named Crom for the sheer determination with which he performs tragic songs that can be tagged under metal on any given day. On Of Love and Death, Walter Crom Grosse does not give a fuck, and procreates an uncommon world where not everyone is going to feel comfortable. He gives you power metal without sounding inspired by some biggie from the same genre, and he also splashes out oodles of viking metal on you.

Surprising how the album’s pace is slow and within no time you feel the eight songs have come to an end. Acoustic notes mark the beginning of most of the epic tracks on Of Love and Death. The songs aren’t loud but are able to convey that something is seriously wrong with love, life and death. It’s a non-competitive rat race between viking and power metal where in the former flourishes. For good. And, the whole blend brings out a very sorrow-driven melodic result.

Walter "Crom" Grosse

Strong rhythms, soothing passages, simple yet believable lyrics make the whole record a pleasing voyage. This man is definitely having a hard time coping up with something he has been through. You’d want to revisit portions and try to get into the musician’s mind. The music displays real despair or he is a master of his art. Either way Crom‘s second full-length Of Love and Death is far from being a bad album. But remember, even for the slightest connection with this album you need to have something called as a heart, and it will be interesting to observe how people who carry their heart up their sleeve would react to these songs.

Rating : 3.5/5




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