Archive for the 'Uncategorized' Category



21
Apr
12

album review : Rise of the Phoenix (2012) – Before the Dawn

album : Rise of the Phoenix

artist : Before the Dawn

genre : Melodic Death/Gothic Metal

year : 2012

When you drink a solid beer, that tastes exactly like how you had imagined it would be, once, you don’t stop drinking it. That’s how it is. Something along the same lines happened when I first heard Before the Dawn‘s last release Deathstar Rising. I wasn’t fooling around when I said I’d hear their discography and it was Deathstar Rising that forced me to do so. Finnish metal bands sharing their melancholy with the planet is old story now, but how do you present in a way just so it doesn’t sound like it has been done to death? You soak yourselves from head to toe with the negativity and write your music and your lyrics in the same disturbed state. I learnt this rule from Before the Dawn who chose melodic death metal for their outlet without sounding like infinite other bands playing the same genre. Rise of the Phoenix is, without doubt, a slab of bleak melody and features several original compositions where we see the band adding new bits and pieces here and there.

Album number seven for the band, Rise of the Phoenix is a package of twelve tracks which will provide you a respite from all things happening in melo-death at the moment. Heralding a message of trustworthy metal, Before the Dawn barge into your ears through their fresh efforts. You’ll find yourself catapulted into another space, amongst the stars, shining brighter with the songs from Rise of the Phoenix in tow. Adventurous as it may sound, the album is a ride filled with extreme emotions and there are flakes of every genre falling over you.

Confined acoustic strums takes us into the album with Exordium. The first smack comes the moment we get into Pitch-Black Universe. All their other albums start playing in your head because it is the same trademark Before the Dawn sound. Like forever, somewhere along the way our head is teased by the meandering melody. There are brutally honest and abrupt parts on songs like Phoenix RisingEclipse and Closure where the pace acts as a topping. Melody that bails you out can be found Cross to Bear, Throne of Ice and Fallen World.

The echo of each song will be left behind, as shrines of desolate thoughts crumble down. This power driven by Tuomas Saukkonen‘s recognizable vocals align everything in line with your mood. Acoustic instruments, piano and slow instrumental sections up the appeal of the record. Rising of the Phoenix is very much closer to many of the earlier works by Before the Dawn, and I would say this album separates out itself from the oft heard melodic death drama and arrives at an acceptable conclusion. The album loses points for having a few ordinary tracks, which probably happened since the band did not take much time in recording this album after having released one only last year.

Before the Dawn is an important band to have come out of the Finnish metal scene, and their tragedy makes for pleasant hearing, not once or twice but each time the band enters the studio. Rad!

Rating : 3.5/5

20
Apr
12

album review : Midnight in the Labyrinth (2012) – Cradle of Filth

album : Midnight in the Labyrinth

artist : Cradle of Filth

genre : Extreme Gothic Metal

year : 2012

Midnight in the Labyrinth is a re-recording of ten old Cradle of Filth tracks. The album has two compact discs, one of which is purely instrumental. This time the ten tracks have not been recorded as complete songs, but only used as backgrounds scores to the lead scream-ist Dani Filth narrating something that wouldn’t interest you. One can only like him when he is abnormal, and screaming the shit out of his throat. Joining him in boring the listeners is Sarah Jezebel (ex-Cradle of Filth) who occasionally says a thing or two on a few tracks. All of this on disc 1.

The songs that have been chosen to be recorded again in a different ‘format’ are -

A Gothic Romance (Red Roses for the Devil’s Whore)
The Forest Whispers My Name
The Twisted Nails of Faith
The Rape and Ruin of Angels (Hosannas in Extremis)
Funeral in Carpathia
Summer Dying Fast
Thirteen Autumns and a Widow
Dusk and Her Embrace
Cruelty Brought Thee Orchids
Goetia (Invoking the Unclean)

Filth had stopped growing with every release long back, but I did find traces of old-Filth in Darkly Darkly Venus Aversa. The gong did ring loud enough to take notice of the band. Always expect the unexpected from them, as they have managed to take you through the shittiest of the shit, and even the best of the best. When Thornography and Godspeed on the Devil’s Thunder struck the Cradle of Filth camp like Hiroshima and Nagasaki (the two albums were successful though), it became clear that the wait is not going to bear any fruits. Apart from being a terribly boring live band, the band is not left with any ability to write pummelling music anymore as well. Look at what they released in 2011, which again strengthens the fact that they do not want to be forgotten. I wouldn’t be surprised if they have another release lined up in the next six months. How about complete silence on the next one, Dani?

Disc 2 is an instrumental / orchestral recording of nine of the tracks from the above ten. Goetia (Invoking the Unclean) has been skipped. What I fail to understand is this – Cradle of Filth is a fit band with sharply talented musicians then why doesn’t the band just sit down and go back in time to comprehend the reasons that got them noticed in the metal scene in the first place. Probably doing that would save me (and this world) from putting myself through albums like these that really don’t strike a chord. The reason I give a fuck even now is because I always believed they were an astounding ensemble at some point in time. I’m almost getting to a point where I’m going to give up on them and join the other haters who fall in this category, just that I’d have a solid reason to do so!

Rating : 2/5

MUST READ -

Reviews of Destroyers of the Faith tour, Boltfest and The DesertFest

Paradise’s Lost new album ‘Tragic Lost’ reviewed here

album review : Rise of the Phoenix (2012) by Before the Dawn

18
Apr
12

Vallenfyre live at Boltfest, London 2012 : A review in pictures

Making the metal-heads go bonkers like a dynamite is up their arse, Boltfest‘s line-up was the most excellent in a longtime and I don’t think it is going to be easy to beat such a lethal line-up. Dedicated entirely to the cause that was driving this entire festival, Boltfest was organized so that us metal-heads can go there, pay a menial amount – the proceeds of which were being sent to the Teenage Cancer Trust – and then witness five of the most definitive death metal artists out there. Bolt Thrower had announced that the show was sold out within a matter of minutes and all this happened, quiet silently, when I was back in India. Buzz started doing the rounds when Bolt Thrower started adding support bands to the line-up one-by-one. The final line-up, take a look -

Vallenfyre
Benediction
Discharge
Autopsy
Bolt Thrower

Once here in UK, the moment this gigantic piece of news reached my ears I instantly knew that I had to be there, even if I had sell my own self. That wasn’t really required as I got in touch with the management, and they were kind enough to offer me a guest entry to the gig. Boltfest was clashing with day 2 of The DesertFest, but I was left with no choice. You already read the names up there. I fucking had to go!

Band number one was Vallenfyre. Formed by members of My Dying Bride, Paradise Lost, At The Gates and Brujeria (actually the list is never-ending), Vallenfyre is relatively newer only in terms of its formation because the experience in the band’s musical ingredients makes it one of the most sought after bands today. I back up my words by a mere mention of The Fragile King. The debut blew my nuts away. 6 p.m. and the band was on-stage. When discipline and death metal go together you get a pinch, exactly what I needed to make myself believe that the gig has begun. This was Vallenfyre‘s second show ever, after their live debut in Finland which happened on February 2nd, 2012.

Gregor and co. began churning out tracks from The Fragile King, and the sound was echoing from all corners of the indoor venue – HMV Forum, Kentish Town, London – hitting each death head inside like a stone drenched in doom metal. Vallenfyre surpassed my expectations by not only sounding super tight, but they also had an eerie feeling surrounding them which went well with the groovy death metal. Almost no bright lights during their performance, they demolished the stage and left. There was very little interaction between the band and the audience, but I remember Gregor talking about the cause this festival was supporting.

In fact the doom quality of Vallenfyre‘s music becomes more evident during their live show. From the entire Vallenfyre set it was the last few moments of the song Desecration which really stuck with me. Those minutes were grand and the lights were completely off. I couldn’t have asked for more.

Vallenfyre‘s set-list for the night -

All Will Suffer
The Divine Have Fled
Ravenous Whore
Cathedrals of Dread
The Grim Irony
Humanity Wept
Seeds
As the World Collapses
Desecration

Vallenfyre‘s performance in pictures -

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15
Apr
12

Day 3 of The DesertFest, London 2012 at The Purple Turtle : A review in pictures

The Purple Turtle is where the festival finale happened. Read on…

One band that, according to me, had a lot of fans waiting for them was Dead Existence. They were the opening band for the last day of The DesertFest at The Purple Turtle. I had noticed a lot of metal heads (both posers and real ones) wearing t-shirts that carried the logo of the band. I knew they were going to kick ass, but then I had to watch them to decide. Hence I rushed to the venue which is a ten minute walk from the main venue – The Underground. At 4 p.m., exactly how I had predicted, hordes of people had come to The Purple Turtle with beers in their hands (both hands, in some cases) ready to drink some and spill some on the floor.

even Roddy Stone (vocalist, Viking Skull) knows how important it is wear the right t-shirt!

At 4:10 p.m, Dead Existence took the stage. It seemed like a lot of people on stage. There were five members, who slowly started spreading out, getting comfortable with their positions and adjusting themselves since the stage at The Purple Turtle was not-so-big. Now this one here was a metal band so they obviously needed a bigger space lest they hit each other while losing control over themselves. Luckily that did not happen. Dead Existence were from London itself, so it was a home gig for them. They were a straight out sludge metal band with a lot of doom riffing. A lively act who only had to be themselves to be heard. One could see a lot of heads bobbing along to their brand of metal, and I don’t think there is anything else a metal band would want to see when they are looking at the audiences from where they are standing. Well done, Dead Existence!

Wrapping up the entire DesertFest was Viking Skull from Northamptonshire, UK. When I say wrapping up means Viking Skull were the last band playing and the other two venues had already brought the curtains down for this year’s DesertFest. Even the after party was held here at The Purple Turtle. Coming back to Viking Skull, they are very much a band that every heavy metal lover would kill to watch. After watching them live, I can safely say that Viking Skull deserved to headline day 3 at The Purple Turtle, of a festival that payed tribute to the stoner sludge genre because this band drugged the entire venue with right amounts of melody, heaviness and metal. Everybody present during Viking Skull‘s set would vouch for the fact that everything at the venue was in motion when the band performed. Viking Skull was easily one of the festival favorites, and I’d ask you all go check them out if they are playing at a venue near you!

DesertFest Day 3  lineup for The Purple Turtle -

Dead Existence
Sedulus
Widows
Cultura Tres
Iron Claw
Samsara Blues Experiment
Viking Skull
Monster Energy / Dalikfodda Party

The slideshow has pictures from Dead Existence and Viking Skull‘s set :

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And, this was how the opening season The DesertFest came to an end. I don’t know about the day tickets but the weekend ticket were sold out, and the worshipers of southern riffs, rock n’ roll and stoner/sludge/doom metal went back from where they came with shitloads of satisfaction. As for me, my ears are still buzzing due to all the different kinds orgasmic music I took myself through. Here’s wishing the organizers of DesertFest all the best so they can come back with an even more rocking second edition. There are not many of us who love this shit, but I think we are fine this way.

Cheers!

15
Apr
12

Day 3 of The DesertFest, London 2012 at The Black Heart : A review in pictures

desert storm

The Black Heart was the only venue where they did not have a board outside that carried the venue’s name. So kvlt. I realized this on the last day of the fest. Guess the only way one can reach here is by following everyone who is wearing black, because that is how I entered this venue on day 1. Unkempt metal heads who looked exactly like I did, and that is where I belonged.

Off the five bands that were to play on Day 3 at The Black Heart, I managed to catch four of them. Pretty cool. I’m not trying to sound hurried here but here is the line-up for day 3. I will get to them individually.

Ellie Mathews
Undersmile acoustic
The Death Letter acoustic
Desert Storm
Undersmile
Gorilla

undersmile

The Death Letter acoustic were a two-piece, with both members from Dead Existence. What set them apart was the melancholic songs that were tied down with genres like blues and slow folk rock. It also helped that the band did an acoustic, since their sound and words needed to be heard closely. It wasn’t a pleasant afternoon, since the The Death Letter liked to keep it bleak.

Considering they had ‘desert’ in their name itself, UK-based rockers Desert Storm stole the show by bringing back the golden old melodies filtering it with spaced out grooves, with vocals that were meant for the microphone. Gathering together a lot of front row dancers, Desert Storm taught us how a party should be continued.

gorilla

Undersmile, from Oxford, was a female fronted band. Fronted by, not one but, two of them. They were completely new to me and I had never heard of them. Trust me, when they began playing I thought of it as a joke since the intro was not appealing. Now they were hellbent on taking things at a snails pace, and within moments they gripped me with haunting vocals done by these two pretty ladies accompanied by a drummer and a bassist. So basically they were two couples who had come together to ruin your honeymoon with slabs of sludge and drone. I wouldn’t mind watching them again because I’m sure they have a lot more tales to tell.

Another one of the festival favorites and veteran musicians Gorilla (from UK) ended the festival at The Black Heart. Three members with Johnny Gorilla on vocals, Sarah Jane on bass and Sammy Forway on drums. It was all about heavy metal for Gorilla, taking each listener back in time with not just playing the instruments but feeling the parts intimately and churning out solos like fresh slices of butter. It was a win-win situation on both sides of the The Black Heart stage.

Slideshow covering The Death Letter acoustic, Desert Storm, Undersmile, Gorilla -

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15
Apr
12

Day 3 of The DesertFest, London 2012 at The Underworld : A review in pictures

The last day of The Desertfest was looking the heaviest at The Underworld. The first half of the day had a lot of awesome rock n’ roll and experimental stoner bands on the lineup, and the second half saw some weighty metal bands that wasn’t for the weak. To sum it all up this was the lineup for day 3 at The Underworld -

throne

Wiht
Throne
Crystal Head
Leaf Hound
Gentlemans Pistols
Zoroaster
Black Cobra
Corrosion of Conformity

For me the day started with the three-piece band Throne (from London). This was the first time, in three days, where I saw a female member in a band. But as the day passed by there were a lot of female musicians that showed their prowess in bands like Gorilla and Undersmile. Throne‘s versatility was very evident in their dark approach towards the doom genre. They took things slowly and that is where their strength lies. Throne has a long way to go, and if they continue to have a consistent approach then things look bright for them, even though the genre they choose to play condemns brightness…

Next up were Crystal Head (from UK). Psychedelic influences woven together with a lot of rock, and projected to defy the rules of gravity. Your head will spin to this three-piece package that is Crystal Head. Post Crystal Head suddenly there was a surge in the number of people wanting to get inside the venue. The reason being two crowd favorites were about to drown the place with loads of music of the highest class – Leaf Hound (from England) and Gentlemans Pistols (British band). Leaf Hound belted out classics, blowing air into the sweating crowd, who in return blew kisses and shouted on top of their voices in support. These mushroom growers were mesmerizing. Gentlemans Pistols took the route of solos and animated stage presence to make it a memorable gig. As is the case with any of their shows, even this one had the band pushing the envelope in terms of giving the audiences several reasons to be present at their gig than anywhere else. I got shot, by Gentlemans Pistols!

gentlemans pistols

Now was the time for some metal to scare the attendees. Three metal bands back-to-back were going to stir up a hurricane, and the only way to escape was to leave the venue. Quietly.

It all began with American band Zoroaster who came and scattered the masses from one end to the other. In the process, drummer Dan broke the drum-kit, of course it had to break since he was pounding it so fucking hard. Good times. Ferocious sludge doom came from this three-piece which obviously could not last forever. Wish it had.

Following up from where Zoroaster left, Black Cobra (again from the US) made it hard for the photographers to just stand and click. The fans ran helter skelter all over the venue, moshing and banging their heads like there is no tomorrow. The band was louder, faster and angrier than ever. Unique sludge sound. Loved them.

The last band for the day was Corrosion of Conformity from America again. They’ve been playing southern riffs since 1981, have gigged like no other band at the festival, but still they took this one as seriously as they would take any other. The venue was cramped during their performance, as the band opened bottles of sludge wine and it was raining cheers and whistles from all over. Corrosion of Conformity put up a great show, and guess what they all looked younger too.

Shots from the performances of all the bands that you’ve read about on this article -

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14
Apr
12

Day 2 of The DesertFest, London 2012 at The Black Heart : A review in pictures

I was  not well versed with the music of the bands that were to be hosted by The Black Heart on day 2. It had to be like taking-a-chance since I went there only when I had time to kill. Off the seven bands that were readying themselves to play at the debut edition of The DesertFest, the ones I had the pleasure of watching were Deville Acoustic and Steak. Due to lack of time, and bigger names at the other two venues, the remaining five had to be skipped. These are the times when I ask myself why does the day have only twenty four hours.

steak

This is how the second day at The Black Heart looked -

Deville Acoustic
Steak
Ashes of Iron
Alunah
The Bendal Interlude
Diesel King
Grifter
Into the Void Party

It was 2:10 in the afternoon (which wasn’t felt inside the venue) when this one man band Deville took the stage all by himself with an acoustic guitar. I reached there close to 2:25 p.m. The mood was already in place, the admirers had gathered and I had to make my way through the crowd to reach the front. Deville had only a mike, his vocals, the guitar and his fingers to gather all the claps and respect. Fresh twisted tunes played on an acoustic, clean singing with vocals that gave a perfect platform for his lyrics, and a heart that had the zeal to perform stoner material had the listeners being slapped with chilled water. Deville‘s performance was a divine effort.

London-based band Steak even describe their music as desert rock. Erupting like a dormant volcano, Steak‘s set was full of music with spirit personified, complete with boulders of sludge and stoner rock coming towards you. Getting fuzzier and fuzzier with each song, Steak rotated my head, and had ample grip on melody as well. The performance was straight-forward and laid back, providing foolproof entertainment on a Saturday afternoon. Were we asking for anything more when we left our houses for The DesertFest. Fuck no!

Deville Acoustic and Steak in action on day 2 of The DesertFest at The Black Heart -

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13
Apr
12

Day 2 of The DesertFest, London 2012 at The Purple Turtle : A review in pictures

The Purple Turtle, located just outside Mornington Crescent tube station, was to lay down the carpets for the festival entrants at 4 pm. Since there was Boltfest happening at another venue on the same day I had told myself that I would catch at least one band from each venue of The DesertFest. So, I ran down to Purple Tortoise, sorry Turtle, to catch the day’s first band there – Meadows. I had heard very less music from this band, and I was there right at the center of the venue waiting for them to start playing.

My first thoughts about their appearance was psychedelia with a lot of atmospheric passages, but guess what they knocked me off with a blend of crusty doom metal complete with elements of grind and hardcore, obeying the rules of sludge and stoner genres as well. A lively act on stage, Meadows did whatever damage they could to our necks.

I will leave you with the only picture of Meadows that my camera could capture :

Meadows live on day 2 of The DesertFest

The rest of the bands scheduled for the second day at The Purple Turtle were as follows -

Meadows
Spider Kitten
Iron Witch
Serpent Venom
Dopefight
Herder
Black Pyramid
Slabdragger
Metal Hammer After Party

12
Apr
12

Day 2 of The DesertFest, London 2012 at The Underworld : A review in pictures

zippo

With day 1 behind me, time management had become an important aspect for the remaining two days. In any kind of festival holding the schedule and using your time effectively would help you catch maximum number of artists which would not happen if you go to one venue, hold a bottle of beer and keep appreciating the taste of the drink. I had a lot of running around to do on Day 2. Not only between the handpicked Desertfest venues, but I also had to visit HMV Forum. Boltfest was happening there on the same day. Wrong timing, and even though I was sad about missing out on bands like Orange Goblin, Church of Misery, Truckfighters, Slabdragger, Black Pyramid and the like, Boltfest was exclusive with names on the bill that are institutions of death metal. More on that another time, but this is how the line-up looked for day 2 at The Underworld -

Zippo
Shrine ’69
Roadsaw
Sungrazer
Valient Thorr
Truckfighters
Church of Misery
Orange Goblin

Italian progressive sludge band Zippo looked prepared to take the audiences on a journey and sure they did!  The sound, feel and texture had me standing in the first row and focusing on the trippy trail they were leaving behind with each moment on their songs. The vocalist Davide was not in the same world as us, he was conversing with some creatures from another world and we were all watching him with undivided attention. Great band.

shrine '69

By now I had no doubt about the choice of bands for The DesertFest. The event was on it’s way to being a perfect success with an impressive line-up. Shrine ’69 were next. Hailing from Suffolk, the four piece band had several plus points. Firstly they balanced gentle music and energetic instances with ease, and secondly they also had a unique style that also brushed blues. All in all a band I’d want to watch again!

Roadsaw came all the way from Boston, US and brought rock n’ roll gushing with southern riffs along with them. It was only a matter of time before they unleashed a raw sound that occasionally tilted towards the groove side of things. The smoke filled venue had it’s mood lifted by these four like-minded musicians who also carried the attitude to go with their music. One of the best half an hour I dedicated to a band at this year’s DesertFest.

The rest of the bands could not be captured, nor enjoyed since I had to get going for Boltfest. Here’s a slideshow that talks about everything Zippo, Shrine ’69 and Roadsaw did on stage.

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10
Apr
12

Day 1 of The DesertFest, London 2012 at The Underworld : A review in pictures

the underworld, camden town

The Underworld is located just outside Camden Town underground station in London, and was an apt selection for an indoor festival like this one considering the venue has played host to several metal gigs in the past. And going by the looks of all the posters that were stuck outside, it does not seem like the venue will be able to take any rest anytime soon. Extreme metal is going to ruin its peace, but hell who cares as long as everyone walking outside is made aware that metal is being blasted inside. It was at The Underworld where everyone had to officially collect their DesertFest wristbands for entry into all of the three venues. The second venue was The Black Heart (just behind The Underworld) and the third one being The Purple Turtle (took me eight to ten minutes of walking from The Underworld, but again it depends on how drunk you are). This venue had the biggest stage out of the three, and was to welcome some of the biggest names from the stoner, sludge, progressive, rock n’ roll scene.

Before I tell you what happened next let me show you the drum-kit’s condition before and after the show on day 1. Gives you a pretty good idea about how the place was brought down.

the bass drum (before)

the bass drum (after)

Line-up for day 1 at The Underworld -

Sons of Alpha Centauri
Ancestors
Rotor
Karma to Burn

The first band was scheduled to play at 4 pm and it was none other than UK’s Sons of Alpha Centauri. Only a talented instrumental band like Sons of Alpha Centauri could have attracted so much crowd. And I’m saying that because things had kicked off at the other two venues some two hours back. With a combination of progressive material and doom layered riffs, SOAC did not falter in putting across their strengths. Right after they left the stage California-based Ancestors brought in some real ass-kicking pure stoner/doom metal and served it to the hungry crowd with panache. Heavy at heart and exploding through the speakers, Ancestors must have surprised people who were hearing them for the first time.

Rotor. They are from Berlin, and Rotor is where a weed-smoking beer-drinking  kinda sloshed metal head would like to find himself since the entire process of psychedelic influences on your mind and the grooves to move the rest of your body is explained by them. You find yourself trapped in their music, which is a good thing because you are already very drunk and want someone to take you under their wings. Rotor did just that. Ending the first day at The Underworld were stoner metal veterans from United States of America – Karma to Burn. The venue was full, it was raining alcohol and horns were raised in response to this band’s grip over the intricacies of the genre. Headliners for Friday, they charmed each and everyone in the crowd and gave them their money’s worth by doing what they do best. Enjoyed them till the last minute.

A slideshow to showcase the first day of The DesertFest at The Underworld -

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